Most recent articles
26 February 2017
Clermont-Ferrand Interviews: Douwe Dijkstra, director of Green Screen Gringo
by Abla KandalaftOne of Mydy’s Lucile Bourliaud’s TOP 5 from this year’s Clermont-Ferrand Film Fest, and winner of the Grand Prix, Douwe Dijkstra’s Green Screen Gringo is a highly original short in which the filmmaker invites ordinary Brazilians to read poems (...) Continue Reading »
20 February 2017
Clermont-Ferrand Interviews: Dania Bdeir, director of In White
by Abla KandalaftCould you tell us a bit more about where the inspiration came from to tell Lara’s story? Are there any autobiographical elements?
The inspiration behind In White is definitely autobiographical. I lost my father in 2009 and it was my first experience of a funeral as a “host” as opposed to a guest. The ritual that took part across 3 days, at a time when my heart was pretty much broken, (...) Continue Reading »
18 février 2017
Clermont-Ferrand 2017 : TOP 5 #1
par Lucile BourliaudDeKalb Elementary
On comprend qu’il ait gagné le grand prix de la compétition internationale, tant ce film puissant et inattendu reste en mémoire après la projection. Un plan fixe sur le bureau d’accueil d’une école primaire. Nous sommes aux (...) Lire la suite »
15 February 2017
Directors to Watch - Q&A with Dornaz Hajiha
by Abla KandalaftDornaz is a filmmaker who graduated from the London Film School last year and was mentored by Iranian director Asghar Farhadi. She won a scholarship to LFS thanks to a scheme run by [Magic of Persia->http://magicofpersia.com. She’s currently working on her first feature film...
Can you tell me a bit more about your background as a filmmaker?
I started a film course taught by the famous (...) Continue Reading »
11 February 2017
Clermont-Ferrand Interviews: Daniel Mulloy, director of Home
by Abla KandalaftWe interviewed Daniel Mulloy, director of short film Home, selected at the Clermont-Ferrand Film Festival, starring Jack O’Connell and Holliday Grainger. The film, partly funded by the United Nations High Commissioner for Refugees was released in cinemas on 20 June 2016, to coincide with World Refugee Day.
Daniel tells us and the Brasserie du Court team about the filmmaking process, his (...) Continue Reading »
11 February 2017
STRIKE A POSE - Q&A with the directors
by morris"1990, seven young dancers joined pop star Madonna on her most controversial world tour. Wild, talented and barely twenty, the dancers set out on the trip of a lifetime. Their journey was captured in Truth or Dare, one of the highest-grossing (...) Continue Reading »
5 February 2017
Q&A with Sevé Schelenz, director of Skew and Peelers
by Mydylarama teamLow-budget horror Skew, an ambitious first feature with some genuinely creepy moments, has become a bit of an underground hit. We’ve caught up with director Sevé, whose latest film Peelers has finished off doing the rounds of festivals everywhere.
Can you tell me a bit more about your background as a filmmaker?
Ever since I was a kid I wanted to make movies. I always had a camera in my (...) Continue Reading »
18 January 2017
LSFF 2017: Girlhood. Q&A with Louise Salter, lead actress of Butterfly
by Anne-Sophie MariePart of LSFF’s ’Girlhood’ series, which had a screening on Sunday 8th January at the Hackney Picturehouse, Butterfly follows a young swimmer’s struggle with epilepsy, her entourage, and her passion.
I had the chance to chat online with (...) Continue Reading »
17 January 2017
Preview! Close Relations - a rounded picture of the conflict in Ukraine
by Abla KandalaftFriday sees the release of Close Relations (Rodnye), Vitaly Manksy’s exploration of both sides of the recent conflict in Ukraine, shedding light on its impact on civilians in Ukraine, Russia and the separatist Donbass region. The documentary will be screened at Berta Dochouse from Fridau 20 January.
Trailer available here.
Synopsis: Critically acclaimed filmmaker Vitaly Mansky’s intimate (...) Continue Reading »
15 January 2017
Q&A with Suzie Hanna, director-animator Known Unto God - LSFF2017
by Anne-Sophie MarieCommissioned by 1418NOW as a five-year programme connecting people with the First World War through the arts, Known Unto God is a mud and pigment animation interpreting Bill Manhire’s poem about the deaths of young people during the war. It is (...) Continue Reading »