En l’espace de quatre ans, le réalisateur philippin a imposé son style grâce à ses courts métrages intimes et lumineux. Révélé en France en 2021 par le Festival du court métrage de Clermont-Ferrand, il consolide sa réputation sur le circuit (…) Continue Reading »

London-based film researcher and writer Alaa Nouasri shares her thoughts on the recent UK programme from the London "edition" of the Clermont-Ferrand International Short Film Festival. In its third year, the programme is carefully curated by the (…) Continue Reading »

1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the (…) Continue Reading »

Sophia Carr-Gomm is the director of short film Nobody’s Darling, which we reviewed when it screened at the London Short Film Festival. She has more recently directed Return. How has the reception and journey of Nobody’s Darling impacted your (…) Continue Reading »

Joel repairs engines, but now his own is overheating because of his side job as a gangster’s henchman. He must take a decision. A breathless ride through Mexico City begins. Estaban Azuela’s "Aferrado" is an ingenious and breathless animated (…) Continue Reading »

A boy learns from his grandfather how rituals in the rainforest are important to maintain the balance between humans and nature. Absolutely mesmerising and compelling film driving home the importance and urgency of the essential work carried (…) Continue Reading »

Pedro is a teenager who sells drinks in the traffic jam on an expressway that takes thousands of people to the coast during summer. Driven by curiosity and desire, Pedro embarks on an adventure that transforms him profoundly. Victor (…) Continue Reading »

Maria Salafranca’s film (titled Obituary Service For You in English) offers a tour of the funeral home in a small Cuban town led by Maurilio and Fidela, driver and assistant on duty, who have been preparing corpses for 17 years in the same space (…) Continue Reading »

‘I’ve lived here for 23 years, but I am afraid to call it home. There’s always the feeling that I have to leave.’ The opening line of the film All We Imagine as Light perfectly depicts the turmoil of being an immigrant, away from a land you call (…) Continue Reading »

It’s odd that, given the current state of things, online lists of ‘films that make you cry’ rarely include political documentaries. Maybe to be seen crying at such a film would betray a shameful naivete (‘didn’t they know the World Bank is evil? (…) Continue Reading »