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  • Clermont-Ferrand International Short Film Festival 2026

    Europe’s largest (and the world’s second largest) film festival back, nestled in the heart of France’s wild, volcanic region of the Massif Central. Its international competition, made up of 12 programmes of shorts, is one of the richest platforms for storytelling from around the world. The... continue
  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue
  • Sophia Carr-Gomm on Return

    Sophia Carr-Gomm is the director of short film Nobody’s Darling, which we reviewed when it screened at the London Short Film Festival. She has more recently directed Return. How has the reception and journey of Nobody’s Darling impacted your career going forward? Have they afforded you certain... continue

Most recent articles

23 February 2023

Jawahine Zentar on Sur la tombe de mon père #ClermontFF23

by Elise Loiseau
We interviewed French filmmaker Jawahine Zentar about her short film heart-felt Moroccan-set Sur la tombe de mon père (On My Father’s Grave) selected in the 2023 National Competition (F1 programme). Continue Reading »
9 February 2023

Interview with Binghan Lin, director of The Trapped Pig

by Abla Kandalaft
The Trapped Pig tells the almost surreal story of a Wuhan truck driver, who is travelling home for the Chinese New Year with a precious boar, being trapped in one-person quarantine zone at the start of the COVID-19 pandemic. This is one of my (…) Continue Reading »
9 February 2023

Richard Misek on his short A History of the World According to Getty Images

by Abla Kandalaft, Brasserie du Court team
A keen video essayist, Richard Misek’s work involved endlessly googling archive images. In 2018, he noticed that the download function had been disabled on Google. He dug deeper and found out that Getty Images had threatened to sue Google. The more he looked, the more Richard noticed that Getty had their logo imprinted everywhere and the scope of their reach became clear to him. This very (…) Continue Reading »
5 February 2023

Isabella Margara on her short Nothing Holier than a Dolphin

by Brasserie du Court team, Elise Loiseau
Two fishermen find a Dolphin accidentally caught in their nets. The Dolphin, on its turn, finds a fisherman drowning in the water and tries to save him. More myths and legends as inspiration at this year’s Clermont-Ferrand Film Festival! This (…) Continue Reading »
5 February 2023

Masterfully inspired by Afro-futurism: Amartei Amar on TsutsuƐ - ClermontFF2023

by Brasserie du Court team, Elise Loiseau
Set in a small Ghanaian town at the edge of a large landfill site that spills into the ocean, the sons of a fisherman, Sowah and Okai, struggle to cope with loss of their eldest brother who drowned during a fishing expedition. Haunted by his (…) Continue Reading »
5 February 2023

Laura Gonçalves on her short "O Homem do Lixo"

by Abla Kandalaft, Brasserie du Court team
On a hot August afternoon, the family gathers at the table. The memories of each are crossed to tell the story of uncle Botão. From the dictatorship to the emigration to France, where he worked as a garbage man, and when he arrived with the van filled with “garbage”he transformed into treasures. What a man uncle Botão clearly was! Laura Gonçalves paints a tender and heart-warming portrait of (…) Continue Reading »
4 February 2023

Dwayne LeBlanc on Civic, at the Brasserie du Court

by Abla Kandalaft, Brasserie du Court team
CIVIC is a short film that follows Booker on his first trip back home to South Central, L.A. after several years of self-imposed exile. Without any clear motive, or even a warning, Booker returns to the place that holds his origins and the people (…) Continue Reading »
4 February 2023

"There is a radical desire for the unknown and of otherness": Soufiane Adel on One Day When I Was Lost

by Abla Kandalaft, Brasserie du Court team
The Voyager probe is about to leave our solar system. At the same time, on Earth, Alain Diaw begins his first day of work in a prestigious automobile company. He has come a long way and is also aiming for the unknown. Soufiane Adel’s Le Jour où (…) Continue Reading »
1 February 2023

Interview with Kamal Aljafari, director of Paradiso, XXXI, 108

by Abla Kandalaft, Brasserie du Court team, Clotilde Couturier
“Nothing can be heard anymore; the roar of our plane absorbs every other sound. We are heading straight to the world’s biggest display of soundproof fireworks, and soon we will drop our bombs.” Palestinian filmmaker and artist Kamal Aljafari (…) Continue Reading »
1 February 2023

Salar Pashtoonyar on Bad Omen at the Brasserie

by Abla Kandalaft, Brasserie du Court team
Set in Kabul, Afghanistan. Pari, an in-house tailor, must find the means to purchase her prescription glasses to save her job. I did a double take when Salar came on to this video interview. I’ll be honest and say that I expected him to be a woman. Salar has a real knack for writing female characters. Bad Omen is an intelligent, well-crafted story and I look forward to seeing more of Salar’s (…) Continue Reading »
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Don Josephus Raphael Eblahan : What it means to listen

In the space of four years, the Filipino director has made his mark with his intimate and luminous short films. Discovered in France in 2021 at the Clermont-Ferrand Short Film Festival, he has (…)
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Latest news

  • 19 February

    Gaza Eyewitnesses at SOAS

    London Palestine Film Festival presents ’Gaza Eyewitnesses’, a film by Palestinian artists based on testimonies from Gaza. This screening is followed by a Q&A with Hossam Al Madhoun, theatre maker, writer and child protection specialist, chaired by Jonathan Chadwick, Director of Az (…)
  • 23 January

    Online screening: The Hidden War on Palestinian Women: Checkpoint Diaries

    This Saturday 24 January, Palestine Museum US is screening the documentary "The Hidden War on Palestinian Women: Checkpoint Diaries, by Balasan Initiative for Human Rights." Screening will start at 12:00 Noon US EST; 18:00 Euro pe; 19:00 Palestine; 17:00 UK; 05:00 New Zealand; running time, 14 (…)
  • 21 January

    Thawra Archive curated programme for LSFF

    Thawra Archive has curated a programme for the London Short Film Festival : The Anti-Narrative of a Finished Decolonization: The Colonial Present in Cinema and Sound. This will take part over two days: on 24 January, at the ICA and on 2 February at ActOne, both in London. The programme will (…)
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