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  • Clermont-Ferrand International Short Film Festival 2026

    Europe’s largest (and the world’s second largest) film festival back, nestled in the heart of France’s wild, volcanic region of the Massif Central. Its international competition, made up of 12 programmes of shorts, is one of the richest platforms for storytelling from around the world. The... continue
  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue
  • Sophia Carr-Gomm on Return

    Sophia Carr-Gomm is the director of short film Nobody’s Darling, which we reviewed when it screened at the London Short Film Festival. She has more recently directed Return. How has the reception and journey of Nobody’s Darling impacted your career going forward? Have they afforded you certain... continue

Most recent articles

1 February 2022

Interview with Romain Dumont, director of Au plaisir les ordures ! (See You Garbage!)

by Brasserie du Court team, Clotilde Couturier
For Christmas, three garbage collectors, Elijah, Nino and Belz, are surprised to be invited to dinner at the home of the Prime Minister and the First Lady. They go there, enthusiastic and candid, without suspecting that on the menu is a painful (…) Continue Reading »
1 February 2022

Interview with Olivier van Malderghem, director of Au Circuit (At the Circuit)

by Brasserie du Court team, Clotilde Couturier
Every weekend, Anne and Jeff go to the Mettet motorcycle circuit. A racing driver, Jeff is training. Anne takes his lap times. Occasionally, at the Au Circuit café, she negotiates bitterly on the phone the loan of the motorbike. Anne’s gaze then (…) Continue Reading »
1 February 2022

Interview with Ramata-Toulaye Sy, director of Astel

by Brasserie du Court team
It’s October, the end of the rainy season in Fouta, an isolated region in the north of Senegal. Astel (13) accompanies her father every day in the bush. Together, they look after their herd of cows. But one day, in the middle of the desert, the (…) Continue Reading »
1 February 2022

Interview with Michael Graversen and Florian Elabdi, co-directors of Ghosts of Mória

by Brasserie du Court team, Clotilde Couturier
When Europe’s Moria refugee camp burns to the ground, two friends from Aleppo choose to stay in the ruins and survive by scavenging metal in the apocalyptic world left by the fire. But they are in a race against the clock as the metal is taken by (…) Continue Reading »
1 February 2022

Interview with Marthe Sébille, director of Que la Bête monte

by Abla Kandalaft, Brasserie du Court team
After a bus accident in the middle of nowhere, Lupa decides to tag along with another passenger, Alban, who is determined to reach the nearest village on foot. Crossing through fields and rivers, they slowly go off-course in a strange forest. (…) Continue Reading »
30 January 2022

Interview with Varun Raman and Tom Hancock, co-directors of Man or Tree

by Brasserie du Court team, Clotilde Couturier
In the wilderness, a tree begins to question whether it may actually be a man tripping on hallucinogens. How did you come up with the idea for Man or Tree? It is based on a true story – the real-life experience of a friend, who had an (…) Continue Reading »
30 January 2022

Interview with Pablo Serret de Ena, director of Useless Opera Singers

by Brasserie du Court team, Clotilde Couturier
An unknown force pushes a man to a place of extraordinary characteristics in the high Arctic. In its limits, is where he may find the answer. Between an introspective adventure and the poetry of the absurd. How much are you related to (…) Continue Reading »
30 January 2022

Interview with Marin Gérard, director of À l’ombre l’après-midi

by Abla Kandalaft, Brasserie du Court team
A seemingly ordinary day in the life of Quentin, a Parisian film-lover. After going to the cinema twice, he runs into a former college friend, listens to a girls’ conversation in a bar, then goes and meet his best friend, has a beer, and ends up (…) Continue Reading »
29 January 2022

Interview with Assaad Khoueiry, director of A Broken Fan

by Abla Kandalaft, Brasserie du Court team
Adel, a desperate jobless father, gets out on the streets of Beirut hoping for change. Can you tell us more about the conditions that have led your protagonist to take action? When you are the only breadwinner in your family and you have to (…) Continue Reading »
29 January 2022

Interview with Fan Sissoko, director of On the Surface

by Brasserie du Court team, Clotilde Couturier
Ada goes swimming in the Icelandic sea and reflects on raising a child in a country that feels nothing like home. As she enters the freezing water, she relives her traumatic pregnancy. Soon her swimming eases. Facing her fears is helping her (…) Continue Reading »
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Don Josephus Raphael Eblahan : What it means to listen

In the space of four years, the Filipino director has made his mark with his intimate and luminous short films. Discovered in France in 2021 at the Clermont-Ferrand Short Film Festival, he has (…)
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Latest news

  • 19 February

    Gaza Eyewitnesses at SOAS

    London Palestine Film Festival presents ’Gaza Eyewitnesses’, a film by Palestinian artists based on testimonies from Gaza. This screening is followed by a Q&A with Hossam Al Madhoun, theatre maker, writer and child protection specialist, chaired by Jonathan Chadwick, Director of Az (…)
  • 23 January

    Online screening: The Hidden War on Palestinian Women: Checkpoint Diaries

    This Saturday 24 January, Palestine Museum US is screening the documentary "The Hidden War on Palestinian Women: Checkpoint Diaries, by Balasan Initiative for Human Rights." Screening will start at 12:00 Noon US EST; 18:00 Euro pe; 19:00 Palestine; 17:00 UK; 05:00 New Zealand; running time, 14 (…)
  • 21 January

    Thawra Archive curated programme for LSFF

    Thawra Archive has curated a programme for the London Short Film Festival : The Anti-Narrative of a Finished Decolonization: The Colonial Present in Cinema and Sound. This will take part over two days: on 24 January, at the ICA and on 2 February at ActOne, both in London. The programme will (…)
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