Most recent articles
18 février 2017
Clermont-Ferrand 2017 : TOP 5 #1
par Lucile Bourliaud
DeKalb Elementary
On comprend qu’il ait gagné le grand prix de la compétition internationale, tant ce film puissant et inattendu reste en mémoire après la projection. Un plan fixe sur le bureau d’accueil d’une école primaire. Nous sommes aux (…) Lire la suite »
15 February 2017
Directors to Watch - Q&A with Dornaz Hajiha
by Abla KandalaftDornaz is a filmmaker who graduated from the London Film School last year and was mentored by Iranian director Asghar Farhadi. She won a scholarship to LFS thanks to a scheme run by [Magic of Persia->http://magicofpersia.com. She’s currently working on her first feature film...
Can you tell me a bit more about your background as a filmmaker?
I started a film course taught by the famous (…) Continue Reading »
11 February 2017
Clermont-Ferrand Interviews: Daniel Mulloy, director of Home
by Abla KandalaftWe interviewed Daniel Mulloy, director of short film Home, selected at the Clermont-Ferrand Film Festival, starring Jack O’Connell and Holliday Grainger. The film, partly funded by the United Nations High Commissioner for Refugees was released in cinemas on 20 June 2016, to coincide with World Refugee Day.
Daniel tells us and the Brasserie du Court team about the filmmaking process, his (…) Continue Reading »
11 February 2017
STRIKE A POSE - Q&A with the directors
by morris
"1990, seven young dancers joined pop star Madonna on her most controversial world tour. Wild, talented and barely twenty, the dancers set out on the trip of a lifetime. Their journey was captured in Truth or Dare, one of the highest-grossing (…) Continue Reading »
5 February 2017
Q&A with Sevé Schelenz, director of Skew and Peelers
by Mydylarama teamLow-budget horror Skew, an ambitious first feature with some genuinely creepy moments, has become a bit of an underground hit. We’ve caught up with director Sevé, whose latest film Peelers has finished off doing the rounds of festivals everywhere.
Can you tell me a bit more about your background as a filmmaker?
Ever since I was a kid I wanted to make movies. I always had a camera in my (…) Continue Reading »
18 January 2017
LSFF 2017: Girlhood. Q&A with Louise Salter, lead actress of Butterfly
by Anne-Sophie Marie
Part of LSFF’s ’Girlhood’ series, which had a screening on Sunday 8th January at the Hackney Picturehouse, Butterfly follows a young swimmer’s struggle with epilepsy, her entourage, and her passion.
I had the chance to chat online with actress (…) Continue Reading »
17 January 2017
Preview! Close Relations - a rounded picture of the conflict in Ukraine
by Abla KandalaftFriday sees the release of Close Relations (Rodnye), Vitaly Manksy’s exploration of both sides of the recent conflict in Ukraine, shedding light on its impact on civilians in Ukraine, Russia and the separatist Donbass region. The documentary will be screened at Berta Dochouse from Fridau 20 January.
Trailer available here.
Synopsis: Critically acclaimed filmmaker Vitaly Mansky’s intimate (…) Continue Reading »
15 January 2017
Q&A with Suzie Hanna, director-animator Known Unto God - LSFF2017
by Anne-Sophie Marie
Commissioned by 1418NOW as a five-year programme connecting people with the First World War through the arts, Known Unto God is a mud and pigment animation interpreting Bill Manhire’s poem about the deaths of young people during the war. It is (…) Continue Reading »
14 January 2017
Q&A with Stuart Gatt, writer and director of The Dead Sea - LSFF2017
by Anne-Sophie Marie
The Dead Sea, which screened on Thursday evening as part of LSFF’s Global Movements night at the Hackney Picturehouse, follows Emanuel and Olu who, after almost reaching Europe by boat, are returned to Libya and incarcerated in one of its (…) Continue Reading »
13 January 2017
Q&A with Treasa O’Brien, director of Noor at Mytlini Port - LSFF2017
by Anne-Sophie Marie, Mydylarama team
Treasa O’Brien is a Ireland and London-based filmmaker whose works (doc and narrative) ‘explore art politics, poetry, social change, the individual and the collective, ecstatic truth, storytelling, reality, the usual.’ Her film Noor at Mytlini (…) Continue Reading »