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  • Clermont-Ferrand International Short Film Festival 2026

    Europe’s largest (and the world’s second largest) film festival back, nestled in the heart of France’s wild, volcanic region of the Massif Central. Its international competition, made up of 12 programmes of shorts, is one of the richest platforms for storytelling from around the world. The... continue
  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue
  • Sophia Carr-Gomm on Return

    Sophia Carr-Gomm is the director of short film Nobody’s Darling, which we reviewed when it screened at the London Short Film Festival. She has more recently directed Return. How has the reception and journey of Nobody’s Darling impacted your career going forward? Have they afforded you certain... continue

Most recent articles

9 February 2020

Q&A with Anthony Nti, dir. Da Yie - Clermont 2020 Grand Prize

by Abla Kandalaft
A foreigner in Ghana gets an assignment from his gang to recruit kids for a risky job that will take place later that evening. He finds Prince and Matilda, two lively kids and good friends, and plans to hand them over to the gang. After spending the day with them, he starts to question his decision and how it will affect their future. Shot on a very low budget, Anthony Nti’s Da Yie (good (…) Continue Reading »
9 February 2020

Q&A with Farah Nabulsi, dir. The Present - Clermont 2020 Audience Award

by Abla Kandalaft
On his wedding anniversary, Yusef and his young daughter set out in the West Bank to buy his wife a gift. Between soldiers, segregated roads and checkpoints, how easy would it be to go shopping? British-Palestinian Farah Nabulsi is relatively (…) Continue Reading »
7 February 2020

Q&A with Lars Vega, co-dir. Väntan På Döden / Awaiting Death - Canal+ AwardClermont 2020

by Elise Loiseau
A son arrives at the hospital to watch over his father’s death bed. When the son wants one last nice moment, his father would rather find out what to do with the two opened cans of mustard. Awaiting Death is a deceptively simple and sombre short. Through minor exchanges and limited dialogue, the directors manage to convey a nuanced and very human relationship with characteristic deadpan (…) Continue Reading »
7 February 2020

Q&A with Thomas Vernay, dir. Miss Chazelles - Clermont 2020

by Elise Loiseau
Clara and Marie are rival competitors for the title of Miss Chazelles-sur-Lyon. As Marie is declared winner of a local beauty pageant, tension escalates between both girls’s families and supporters. Miss Chazelles, Aesthetica 2019’s Best Drama award-winner, is a warm, irreverent and somewhat terrifying look at the word of regional pageants and the resulting drama. Despite the absurdity of (…) Continue Reading »
7 February 2020

Q&A with Gabrielle Stemmer, dir. Clean With Me (After Dark)

by Abla Kandalaft
Through a very clever and revealing video montage, Gabrielle Stemmer not only sheds light on somewhat depressing phenomenon of cleaning videos on YouTube but silently and subtly unearths the loneliness and neuroses that often underpin it, in a (…) Continue Reading »
7 February 2020

Q&A with Yves Gellie, dir. L’Année du robot - Clermont 2020

by Elise Loiseau
At the crossroads of art and science, this film centers on human beings and robots as their artificial counterparts. Like a series of archival documents detailing the first contacts and exchanges between human beings and a robot, the film studies cognitive dissonance, a minuscule, mysterious relational space lying between them both. A thoroughly exhaustive but at moments frankly alarming - (…) Continue Reading »
7 February 2020

Q&A with Mehdi Benallal, dir. Madame Baurès - Clermont 2020

by Abla Kandalaft
A stroll through the present-day municipalities of Vincennes and Saint Mandé, once home to Madame Baurès, a woman and Communist. The filmmaker’s voice-over recounts the memory of the story that Ray­monde had entrusted to him. (Cinéma du Réel) (…) Continue Reading »
6 February 2020

Q&A with Ioseb “Soso” Bliadze, dir. Tradition - Clermont 2020

by Elise Loiseau
Two German tourists travel around Georgia and encounter the country’s culture, traditions and some more conservative attitudes. A brave film in which the director’s passion for the subject and anger at the prejudices faced by many gay people in (…) Continue Reading »
5 February 2020

Q&A with Noël Fuzellier, dir. Mars Colony - ClermontFF 2020

by Abla Kandalaft
Logan is a sci-fi obsessed awkward teenager who often finds himself the butt of his friends’ jokes. One day, he’s visited by an older man who claims to be him, 39 years from now and asks him to join him on a mission to save humankind. A sci-fi enthusiast himself, Noël Fuzellier’s passion for space travel and Mars in particular shines through this optimistic, unpretentious yet ambitious (…) Continue Reading »
5 February 2020

Q&A with Ariane Labed, dir. Olla - ClermontFF 2020

by Elise Loiseau
Olla responded to an advertisement on an Eastern women dating site. She moves in with Pierre, who lives with his old mother. But nothing happens as planned. First time director but seasoned actress Labed brings us a visually distinctive look at sexuality and modern relationships. Trailer More on the film... Olla’s character is particularly interesting. Far from being a victim, she (…) Continue Reading »
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Don Josephus Raphael Eblahan : What it means to listen

In the space of four years, the Filipino director has made his mark with his intimate and luminous short films. Discovered in France in 2021 at the Clermont-Ferrand Short Film Festival, he has (…)
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Latest news

  • 19 February

    Gaza Eyewitnesses at SOAS

    London Palestine Film Festival presents ’Gaza Eyewitnesses’, a film by Palestinian artists based on testimonies from Gaza. This screening is followed by a Q&A with Hossam Al Madhoun, theatre maker, writer and child protection specialist, chaired by Jonathan Chadwick, Director of Az (…)
  • 23 January

    Online screening: The Hidden War on Palestinian Women: Checkpoint Diaries

    This Saturday 24 January, Palestine Museum US is screening the documentary "The Hidden War on Palestinian Women: Checkpoint Diaries, by Balasan Initiative for Human Rights." Screening will start at 12:00 Noon US EST; 18:00 Euro pe; 19:00 Palestine; 17:00 UK; 05:00 New Zealand; running time, 14 (…)
  • 21 January

    Thawra Archive curated programme for LSFF

    Thawra Archive has curated a programme for the London Short Film Festival : The Anti-Narrative of a Finished Decolonization: The Colonial Present in Cinema and Sound. This will take part over two days: on 24 January, at the ICA and on 2 February at ActOne, both in London. The programme will (…)
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