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  • DJ in the Territories - a Palestinian short film project fighting...

    Support A DJ in the Territories! This film project was submitted to the Films of Resistance collective as a potential recipient of future screening profits. Anyone in the world can put on a film chosen from the FoR database and after covering their costs are encouraged to contribute to the... continue
  • Ghost in the Machine - Absolute must-watch deep dive into so-called AI

    Writing for the Sundance Institute website, Erik Adams calls Valerie Veatch’s Ghost in the Machine "the scariest movie playing at the 2026 Sundance Film Festival". He’s not wrong. It’s not only scary, it’s also rage-inducing. Veatch traces the red line that links the current "AI " tools and the... continue
  • Clermont-Ferrand International Short Film Festival 2026

    Europe’s largest (and the world’s second largest) film festival back, nestled in the heart of France’s wild, volcanic region of the Massif Central. Its international competition, made up of 12 programmes of shorts, is one of the richest platforms for storytelling from around the world. The... continue
  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue

Most recent articles

12 February 2020

Q&A with Paul Howard Allen, dir. Mega Sexy Robot Dinosaur - Clermont 2020

by Abla Kandalaft
INTERVIEW VIDEO TO COME A silly (in all the best ways) short very much made for fun that certainly made me laugh! Glad it made it into the Clermont competition. How much do you enjoy artistic experiments? Cinema audiences these days are incredibly smart and cinema literate so it’s really fun to be mischievous and play with people’s expectations. This is the beauty of short film, it (…) Continue Reading »
11 February 2020

Q&A with Ross McClean, dir. Hydebank - Clermont 2020

by Abla Kandalaft, Clotilde Couturier
Forced onto the Northern Irish countryside, Hydebank Wood Facility currently houses 104 young male offenders. Four years into his sentence, Ryan is still coming to terms with the cause of his imprisonment. The unlikely catharsis to his inner (…) Continue Reading »
11 February 2020

Q&A with Baloji, dir. Zombies - Clermont 2020 PRIX FESTIVALS CONNEXION AUVERGNE-RHÔNE-ALPES

by Clotilde Couturier
The film "Zombie" is a journey between hope and dystopia in a hallucinated Kinhsasa, from the culture of the hair salon to futuristic solitary clubbing, from the urban parade to the glory of a dictator in campaign (Papa Bollo) to modern western (…) Continue Reading »
10 February 2020

Q&A with Aurélie Reinhorn, dir. Raout Pacha - Double winner - Prix du rire « Fernand Raynaud » & Canal+ Award for the National Competition - Clermont 2020 Grand Prize

by Abla Kandalaft
Two lost souls are required to undertake community service in a small town in Normandy. As it happens, the clean and tidy beach resort doens’t actually need any of the work they’ve been assigned and they start making up a series of absurd tasks (…) Continue Reading »
9 February 2020

Q&A with Anthony Nti, dir. Da Yie - Clermont 2020 Grand Prize

by Abla Kandalaft
A foreigner in Ghana gets an assignment from his gang to recruit kids for a risky job that will take place later that evening. He finds Prince and Matilda, two lively kids and good friends, and plans to hand them over to the gang. After spending the day with them, he starts to question his decision and how it will affect their future. Shot on a very low budget, Anthony Nti’s Da Yie (good (…) Continue Reading »
9 February 2020

Q&A with Farah Nabulsi, dir. The Present - Clermont 2020 Audience Award

by Abla Kandalaft
On his wedding anniversary, Yusef and his young daughter set out in the West Bank to buy his wife a gift. Between soldiers, segregated roads and checkpoints, how easy would it be to go shopping? British-Palestinian Farah Nabulsi is relatively (…) Continue Reading »
7 February 2020

Q&A with Lars Vega, co-dir. Väntan På Döden / Awaiting Death - Canal+ AwardClermont 2020

by Elise Loiseau
A son arrives at the hospital to watch over his father’s death bed. When the son wants one last nice moment, his father would rather find out what to do with the two opened cans of mustard. Awaiting Death is a deceptively simple and sombre short. Through minor exchanges and limited dialogue, the directors manage to convey a nuanced and very human relationship with characteristic deadpan (…) Continue Reading »
7 February 2020

Q&A with Thomas Vernay, dir. Miss Chazelles - Clermont 2020

by Elise Loiseau
Clara and Marie are rival competitors for the title of Miss Chazelles-sur-Lyon. As Marie is declared winner of a local beauty pageant, tension escalates between both girls’s families and supporters. Miss Chazelles, Aesthetica 2019’s Best Drama award-winner, is a warm, irreverent and somewhat terrifying look at the word of regional pageants and the resulting drama. Despite the absurdity of (…) Continue Reading »
7 February 2020

Q&A with Gabrielle Stemmer, dir. Clean With Me (After Dark)

by Abla Kandalaft
Through a very clever and revealing video montage, Gabrielle Stemmer not only sheds light on somewhat depressing phenomenon of cleaning videos on YouTube but silently and subtly unearths the loneliness and neuroses that often underpin it, in a (…) Continue Reading »
7 February 2020

Q&A with Yves Gellie, dir. L’Année du robot - Clermont 2020

by Elise Loiseau
At the crossroads of art and science, this film centers on human beings and robots as their artificial counterparts. Like a series of archival documents detailing the first contacts and exchanges between human beings and a robot, the film studies cognitive dissonance, a minuscule, mysterious relational space lying between them both. A thoroughly exhaustive but at moments frankly alarming - (…) Continue Reading »
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  • 77

Don Josephus Raphael Eblahan : What it means to listen

In the space of four years, the Filipino director has made his mark with his intimate and luminous short films. Discovered in France in 2021 at the Clermont-Ferrand Short Film Festival, he has (…)
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Latest news

  • 25 September

    Mexican Film Festival in Paris - October 2026

    Viva Mexico kicks off in a few weeks in the heart of Paris. The fourteenth edition of the festival celebrating the country’s cinematic landscape will be held at the Luminor cinema from 6-12 October. The festival presents an eclectic and diverse programme of films, Q&As, panels and (…)
  • 14 August

    The Battle of Algiers: Anti-Imperialist Film Club

    Ileana Chan (Global Majority for Peace) and Asa Winstanley (Electronic Intifada) review their top picks and rate their anti-imperialist credentials... Second up is classic doc The Battle of Algiers.
  • 28 July

    Behind the CIA’s overthrow of Iran’s Mossadegh - Coup 53 screenings in August

    This month sees another London run of the 2019 film Coup 53, now more topical than ever: With Iran and the world once again on the brink, COUP 53 feels less like history and more like a warning. In 1953, a military coup led by British MI6 backed by the CIA overthrew Iran’s democratically (…)
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