Most recent articles
10 February 2020
Q&A with Aurélie Reinhorn, dir. Raout Pacha - Double winner - Prix du rire « Fernand Raynaud » & Canal+ Award for the National Competition - Clermont 2020 Grand Prize
by Abla Kandalaft
Two lost souls are required to undertake community service in a small town in Normandy. As it happens, the clean and tidy beach resort doens’t actually need any of the work they’ve been assigned and they start making up a series of absurd tasks (…) Continue Reading »
9 February 2020
Q&A with Anthony Nti, dir. Da Yie - Clermont 2020 Grand Prize
by Abla KandalaftA foreigner in Ghana gets an assignment from his gang to recruit kids for a risky job that will take place later that evening. He finds Prince and Matilda, two lively kids and good friends, and plans to hand them over to the gang. After spending the day with them, he starts to question his decision and how it will affect their future.
Shot on a very low budget, Anthony Nti’s Da Yie (good (…) Continue Reading »
9 February 2020
Q&A with Farah Nabulsi, dir. The Present - Clermont 2020 Audience Award
by Abla Kandalaft
On his wedding anniversary, Yusef and his young daughter set out in the West Bank to buy his wife a gift. Between soldiers, segregated roads and checkpoints, how easy would it be to go shopping?
British-Palestinian Farah Nabulsi is relatively (…) Continue Reading »
7 February 2020
Q&A with Lars Vega, co-dir. Väntan På Döden / Awaiting Death - Canal+ AwardClermont 2020
by Elise LoiseauA son arrives at the hospital to watch over his father’s death bed. When the son wants one last nice moment, his father would rather find out what to do with the two opened cans of mustard.
Awaiting Death is a deceptively simple and sombre short. Through minor exchanges and limited dialogue, the directors manage to convey a nuanced and very human relationship with characteristic deadpan (…) Continue Reading »
7 February 2020
Q&A with Thomas Vernay, dir. Miss Chazelles - Clermont 2020
by Elise LoiseauClara and Marie are rival competitors for the title of Miss Chazelles-sur-Lyon. As Marie is declared winner of a local beauty pageant, tension escalates between both girls’s families and supporters.
Miss Chazelles, Aesthetica 2019’s Best Drama award-winner, is a warm, irreverent and somewhat terrifying look at the word of regional pageants and the resulting drama. Despite the absurdity of (…) Continue Reading »
7 February 2020
Q&A with Gabrielle Stemmer, dir. Clean With Me (After Dark)
by Abla Kandalaft
Through a very clever and revealing video montage, Gabrielle Stemmer not only sheds light on somewhat depressing phenomenon of cleaning videos on YouTube but silently and subtly unearths the loneliness and neuroses that often underpin it, in a (…) Continue Reading »
7 February 2020
Q&A with Yves Gellie, dir. L’Année du robot - Clermont 2020
by Elise LoiseauAt the crossroads of art and science, this film centers on human beings and robots as their artificial counterparts. Like a series of archival documents detailing the first contacts and exchanges between human beings and a robot, the film studies cognitive dissonance, a minuscule, mysterious relational space lying between them both.
A thoroughly exhaustive but at moments frankly alarming - (…) Continue Reading »
7 February 2020
Q&A with Mehdi Benallal, dir. Madame Baurès - Clermont 2020
by Abla Kandalaft
A stroll through the present-day municipalities of Vincennes and Saint Mandé, once home to Madame Baurès, a woman and Communist. The filmmaker’s voice-over recounts the memory of the story that Raymonde had entrusted to him. (Cinéma du Réel) (…) Continue Reading »
6 February 2020
Q&A with Ioseb “Soso” Bliadze, dir. Tradition - Clermont 2020
by Elise Loiseau
Two German tourists travel around Georgia and encounter the country’s culture, traditions and some more conservative attitudes.
A brave film in which the director’s passion for the subject and anger at the prejudices faced by many gay people in (…) Continue Reading »
5 February 2020
Q&A with Noël Fuzellier, dir. Mars Colony - ClermontFF 2020
by Abla KandalaftLogan is a sci-fi obsessed awkward teenager who often finds himself the butt of his friends’ jokes. One day, he’s visited by an older man who claims to be him, 39 years from now and asks him to join him on a mission to save humankind.
A sci-fi enthusiast himself, Noël Fuzellier’s passion for space travel and Mars in particular shines through this optimistic, unpretentious yet ambitious (…) Continue Reading »