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  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, the result of five directors’ efforts to piece together a heartfelt tribute to the Sudanese... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue
  • Sophia Carr-Gomm on Return

    Sophia Carr-Gomm is the director of short film Nobody’s Darling, which we reviewed when it screened at the London Short Film Festival. She has more recently directed Return. How has the reception and journey of Nobody’s Darling impacted your career going forward? Have they afforded you certain... continue
  • Latin American highlights - Clermont-Ferrand FF 2025: Lanawaru

    A boy learns from his grandfather how rituals in the rainforest are important to maintain the balance between humans and nature. Absolutely mesmerising and compelling film driving home the importance and urgency of the essential work carried out by indigenous communities protecting the... continue

Most recent articles

30 January 2021

Interview with Sam White, director of Friends Online

by Abla Kandalaft
"Stacey" an anxiety ridden, lonely, keyboard-warrior recluse hopelessly tries to convince his favourite young friend Ellie, that he too is a teenage girl, with the desperate hope that she’ll send him the pictures he craves. Sam White impressive (…) Continue Reading »
30 January 2021

Interview with Guillaume Mainguet, director of Vincent Before Noon

by Abla Kandalaft
A father pays his son a visit after years of conflict and turns up in the middle of his house move. The son Vincent reacts violently to that intrusion. Emotionally weakened, the father involuntarily reveals the true reason of his visit, which (…) Continue Reading »
30 January 2021

Interview with Ariq Khan, director of Transit

by Abla Kandalaft
What motivated you to tell this story? Do many people find themselves in this “transit” situation in Bangladesh? I have always wanted my films to be about the common man, the type of characters whose stories are not as often seen in modern (…) Continue Reading »
29 January 2021

Interview with Paul Mas, director of Précieux [Precious]

by Elise Loiseau
What materials did you use to create the characters? The puppets’ bodies are made of silicone. We make a sculpture, then a mould where we place a frame made of aluminum wire that helps it keep its stance. Then we pour in the silicone which will (…) Continue Reading »
29 January 2021

Interview with Daniel Gray, director of HIDE

by Brasserie du Court team, Clotilde Couturier
Why were you interested in the hide-and-seek game as a starting point? The game of hide-and-seek didn’t really come first. I was muddling about with some ideas to do with my situation of moving from my home country, and all the different types (…) Continue Reading »
29 January 2021

Q&A with Brendan Canty, director of Jam

by Abla Kandalaft
I notice the film was directed by yourself and written by Sam Lazar. How did that collaborative process come about? Did you develop the idea together or where you involved as a director after the script was written? I came on board after the (…) Continue Reading »
28 January 2021

Q&A with Theja Rio and Nancy Beso, dir and prod of Angh

by Elise Loiseau
The film is set in a village in Nagaland in 1963. It follows the life of a father and his son, the last ones to convert to Christianity in their village. The film follows their struggle to hold on to their tradition and religion. Café court / Expresso Video - Theja Rio from ClermontFd Short Film Festival on Vimeo. The film is in International Competition (I3 programme). Continue Reading »
28 January 2021

Q&A with Bastien Dubois, director of Souvenir Souvenir

by Clotilde Couturier
What was your thought process over the years about the desire or need to address this topic, which touches your inner circle as well as the narrative of National History? Hello, so first of all thank you for this interview and thank you for (…) Continue Reading »
28 January 2021

The Viewing Booth - Ra’anan Alexandrowicz’s thought experiment

by Abla Kandalaft
In a lab-like location, Maia Levy, a young Jewish American woman, watches videos portraying life in the occupied West Bank, while verbalizing her thoughts and feelings in real time. Director Alexandrowicz once again explores and denounces the (…) Continue Reading »
22 January 2021

Winter Edition Line-Up!

by Mydylarama team
The EFN short film festival winter edition is nearly upon us! Given the roaring success of the last few live-streamed events, the team is once more adopting their winning formula and showing carefully curated early shorts from first time and (…) Continue Reading »
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Don Josephus Raphael Eblahan : ce que signifie écouter

En l’espace de quatre ans, le réalisateur philippin a imposé son style grâce à ses courts métrages intimes et lumineux. Révélé en France en 2021 par le Festival du court métrage de (…)
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Film and event! Bella Ciao: Song Of Rebellion - An exhaustive and rousing doc about the revolutionary anthem

London audiences were able to watch the film at our screening at the Garden Cinema on 25 April, which was followed by a Q&A with the directors, hosted by journalist Steve Topple. See pictures (…)
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Latest news

  • 4 December

    Power Station screening in Falkirk

    Power Station.
  • 29 September

    Beirut’s iconic “Le Colisée Cinema” is reopening

    The historic Le Colisée Cinema in Beirut, one of the city’s oldest cinemas, which was founded in 1945 is reopening its doors thanks to the volunteers at the Tiro Association for Arts (TAA) who rehabilitated five cinemas in Beirut, as well as in South and North Lebanon. For inquiries about the (…)
  • 18 September

    From the Margins to the Stars: Fringe! Queer Film & Arts Fest Unfolds in London

    Fringe! Queer Film & Arts Fest is currently running across East London, with standout screenings including Celestial Bodies & Other Space Oddities (Fri 19 Sept, 9pm, Rich Mix) - a cosmic shorts programme followed by a filmmaker Q&A; I Still Hold The Rock You Gave Me (Sat 20 Sept, (…)
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