Most recent articles
30 January 2021
Interview with Sam White, director of Friends Online
by Abla Kandalaft
"Stacey" an anxiety ridden, lonely, keyboard-warrior recluse hopelessly tries to convince his favourite young friend Ellie, that he too is a teenage girl, with the desperate hope that she’ll send him the pictures he craves.
Sam White impressive (…) Continue Reading »
30 January 2021
Interview with Guillaume Mainguet, director of Vincent Before Noon
by Abla Kandalaft
A father pays his son a visit after years of conflict and turns up in the middle of his house move. The son Vincent reacts violently to that intrusion. Emotionally weakened, the father involuntarily reveals the true reason of his visit, which (…) Continue Reading »
30 January 2021
Interview with Ariq Khan, director of Transit
by Abla Kandalaft
What motivated you to tell this story? Do many people find themselves in this “transit” situation in Bangladesh?
I have always wanted my films to be about the common man, the type of characters whose stories are not as often seen in modern (…) Continue Reading »
29 January 2021
Interview with Paul Mas, director of Précieux [Precious]
by Elise Loiseau
What materials did you use to create the characters?
The puppets’ bodies are made of silicone. We make a sculpture, then a mould where we place a frame made of aluminum wire that helps it keep its stance. Then we pour in the silicone which will (…) Continue Reading »
29 January 2021
Interview with Daniel Gray, director of HIDE
by Brasserie du Court team, Clotilde Couturier
Why were you interested in the hide-and-seek game as a starting point?
The game of hide-and-seek didn’t really come first. I was muddling about with some ideas to do with my situation of moving from my home country, and all the different types (…) Continue Reading »
29 January 2021
Q&A with Brendan Canty, director of Jam
by Abla Kandalaft
I notice the film was directed by yourself and written by Sam Lazar. How did that collaborative process come about? Did you develop the idea together or where you involved as a director after the script was written?
I came on board after the (…) Continue Reading »
28 January 2021
Q&A with Theja Rio and Nancy Beso, dir and prod of Angh
by Elise LoiseauThe film is set in a village in Nagaland in 1963. It follows the life of a father and his son, the last ones to convert to Christianity in their village. The film follows their struggle to hold on to their tradition and religion.
Café court / Expresso Video - Theja Rio from ClermontFd Short Film Festival on Vimeo.
The film is in International Competition (I3 programme). Continue Reading »
28 January 2021
Q&A with Bastien Dubois, director of Souvenir Souvenir
by Clotilde Couturier
What was your thought process over the years about the desire or need to address this topic, which touches your inner circle as well as the narrative of National History?
Hello, so first of all thank you for this interview and thank you for (…) Continue Reading »
28 January 2021
The Viewing Booth - Ra’anan Alexandrowicz’s thought experiment
by Abla Kandalaft
In a lab-like location, Maia Levy, a young Jewish American woman, watches videos portraying life in the occupied West Bank, while verbalizing her thoughts and feelings in real time.
Director Alexandrowicz once again explores and denounces the (…) Continue Reading »
22 January 2021
Winter Edition Line-Up!
by Mydylarama team
The EFN short film festival winter edition is nearly upon us! Given the roaring success of the last few live-streamed events, the team is once more adopting their winning formula and showing carefully curated early shorts from first time and (…) Continue Reading »