Most recent articles
1 March 2021
Our Picks + Judas And The Black Messiah
by Abla Kandalaft, Coco Green
Highlights this week include the Glasgow Film Festival, entirely online, with its usual strong selection and carefully curated programmes, running from 24 February to 7 March and MLK/FBI is a 2020 American documentary directed by Sam Pollard who (…) Continue Reading »
24 February 2021
Interview with Ibrahim Handal, director of Bethlehem 2001
by Abla Kandalaft
Why did you choose to revisit this – I presume traumatic – event as a short film?
Actually, I am still trying to understand what I have done and why. However, I have held in these memories and feelings throughout these years with the purpose of (…) Continue Reading »
24 February 2021
Interview with Sami Tlili, director of Hors-jeu flagrant [Obvious Offside]
by Brasserie du Court team, Elise Loiseau
Do you have a particular interest in football? In your opinion, what place does football have in Tunisia?
I am both a big fan of football as well as a critic of its excesses (the business of football, the political exploitation of football, the (…) Continue Reading »
19 February 2021
Pick of IFFR: Sexual Drive, directed by Yoshida Kota
by Tommy Hodgson
International Film Festival Rotterdam had some dazzling pieces in its programme this year, but Sexual Drive seriously stands out in its ambition and creative execution. Japanese director Yoshida Kota’s odd but undeniably endearing film is (…) Continue Reading »
17 February 2021
Interview with Wissam Charaf, Director of Pas de Panique [Don’t Panic]
by Elise Loiseau
How did your film come about?
In the beginning, there was the desire to talk about what had happened to Lebanon since October 2019, precisely, a catastrophic economic crisis and the protest movement that ensued. What happened in Lebanon in the (…) Continue Reading »
12 February 2021
Our Picks + Be Kind Rewind
by Coco Green, judy
This week, guest and Mydylarama co-founder Judy Harris joins us to discuss the beauty of amateur cinema, community cohesion, gentrification, colourblind casting and the joys of play in Michel Gondry’s Be Kind Rewind.
We also touch on the (…) Continue Reading »
12 February 2021
Interview with Ramzi Bashour, director of The Trees
by Abla Kandalaft, Brasserie du Court team
How much are you aware of the severity of the droughts in Lebanon? Is this what sparked your interest in this subject matter?
A lot of the environmental science concerned in the film derived from discussions with my father who is a soil-chemist (…) Continue Reading »
10 February 2021
Interview with Alexe Poukine, director of Palma
by Abla Kandalaft, Brasserie du Court team
Can you explain your choice of title?
During the preparatory stages and the shooting of the film, the project was called Kiki, after the class mascot. The film was written as a tragi-comedy, but the project went through a transformation as time (…) Continue Reading »
7 February 2021
Interview with Lorna Nickson Brown, director of Ned And Me
by Abla Kandalaft, Brasserie du Court team
Obvious question. Why did you choose to explore this subject matter? Have you had any personal experience of the issues around euthanasia?
I was drawn to this subject matter because I think it is one of the greatest questions of our age, or any (…) Continue Reading »
7 February 2021
Interview with Suzannah Mirghani, director of Al-sit
by Abla Kandalaft, Brasserie du Court team
This is a very moving story. Is it based on personal experience or someone you know?
The story of the arranged marriage depicted in my film Al-Sit is a common one in Sudan and the norm for many Sudanese families. While I did not personally (…) Continue Reading »