Most recent articles
1 February 2021
Interview with Antoine Beauvois-Boetti, director of Le Cercle d’Ali [Ali’s Circle]
by Brasserie du Court team, Elise Loiseau
How much of Le Cercle d’Ali is documentary? Did you do research beforehand?
I really wanted to get as close as possible to reality. Firstly, out of respect for the subject and the people involved. And also out of principle. I like the idea (…) Continue Reading »
1 February 2021
Interview with Alice Fargier, director of Le temps d’une nuit [The Time of Night]
by Abla Kandalaft
Where did the idea for Le temps d’une nuit come from?
A friend of mine disappeared without giving any signs of life for several months. When I found her at a party at someone’s house who I barely knew, she was euphoric and I hardly recognized (…) Continue Reading »
1 February 2021
Interview with Theo Montoya, director of Son of Sodom
by Brasserie du Court team, Clotilde Couturier
How have you met Camilo Najar?
I met Camilo 6 years ago at a party. When I saw him, he immediately caught my attention, he was a special guy, with his curly hair, and super thin. Besides that, he had an overwhelming personality. I will always (…) Continue Reading »
1 February 2021
Interview with Anna Szöllősi, director of Helfer
by Brasserie du Court team
Café court / Expresso Video - Anna Szöllősi from ClermontFd Short Film Festival on Vimeo.
How would you describe the crisis the woman is facing? To what extent is the helper helping?
The woman is struggling with anxiety and has an intense (…) Continue Reading »
30 January 2021
Interview with Sam White, director of Friends Online
by Abla Kandalaft
"Stacey" an anxiety ridden, lonely, keyboard-warrior recluse hopelessly tries to convince his favourite young friend Ellie, that he too is a teenage girl, with the desperate hope that she’ll send him the pictures he craves.
Sam White impressive (…) Continue Reading »
30 January 2021
Interview with Guillaume Mainguet, director of Vincent Before Noon
by Abla Kandalaft
A father pays his son a visit after years of conflict and turns up in the middle of his house move. The son Vincent reacts violently to that intrusion. Emotionally weakened, the father involuntarily reveals the true reason of his visit, which (…) Continue Reading »
30 January 2021
Interview with Ariq Khan, director of Transit
by Abla Kandalaft
What motivated you to tell this story? Do many people find themselves in this “transit” situation in Bangladesh?
I have always wanted my films to be about the common man, the type of characters whose stories are not as often seen in modern (…) Continue Reading »
29 January 2021
Interview with Paul Mas, director of Précieux [Precious]
by Elise Loiseau
What materials did you use to create the characters?
The puppets’ bodies are made of silicone. We make a sculpture, then a mould where we place a frame made of aluminum wire that helps it keep its stance. Then we pour in the silicone which will (…) Continue Reading »
29 January 2021
Interview with Daniel Gray, director of HIDE
by Brasserie du Court team, Clotilde Couturier
Why were you interested in the hide-and-seek game as a starting point?
The game of hide-and-seek didn’t really come first. I was muddling about with some ideas to do with my situation of moving from my home country, and all the different types (…) Continue Reading »
29 January 2021
Q&A with Brendan Canty, director of Jam
by Abla Kandalaft
I notice the film was directed by yourself and written by Sam Lazar. How did that collaborative process come about? Did you develop the idea together or where you involved as a director after the script was written?
I came on board after the (…) Continue Reading »