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  • Ghost in the Machine - Absolute must-watch deep dive into so-called AI

    Writing for the Sundance Institute website, Erik Adams calls Valerie Veatch’s Ghost in the Machine "the scariest movie playing at the 2026 Sundance Film Festival". He’s not wrong. It’s not only scary, it’s also rage-inducing. Veatch traces the red line that links the current "AI " tools and the... continue
  • Clermont-Ferrand International Short Film Festival 2026

    Europe’s largest (and the world’s second largest) film festival back, nestled in the heart of France’s wild, volcanic region of the Massif Central. Its international competition, made up of 12 programmes of shorts, is one of the richest platforms for storytelling from around the world. The... continue
  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue

Most recent articles

17 February 2021

Interview with Wissam Charaf, Director of Pas de Panique [Don’t Panic]

by Elise Loiseau
How did your film come about? In the beginning, there was the desire to talk about what had happened to Lebanon since October 2019, precisely, a catastrophic economic crisis and the protest movement that ensued. What happened in Lebanon in the (…) Continue Reading »
12 February 2021

Our Picks + Be Kind Rewind

by Coco Green, judy
This week, guest and Mydylarama co-founder Judy Harris joins us to discuss the beauty of amateur cinema, community cohesion, gentrification, colourblind casting and the joys of play in Michel Gondry’s Be Kind Rewind. We also touch on the (…) Continue Reading »
12 February 2021

Interview with Ramzi Bashour, director of The Trees

by Abla Kandalaft, Brasserie du Court team
How much are you aware of the severity of the droughts in Lebanon? Is this what sparked your interest in this subject matter? A lot of the environmental science concerned in the film derived from discussions with my father who is a soil-chemist (…) Continue Reading »
10 February 2021

Interview with Alexe Poukine, director of Palma

by Abla Kandalaft, Brasserie du Court team
Can you explain your choice of title? During the preparatory stages and the shooting of the film, the project was called Kiki, after the class mascot. The film was written as a tragi-comedy, but the project went through a transformation as time (…) Continue Reading »
7 February 2021

Interview with Lorna Nickson Brown, director of Ned And Me

by Abla Kandalaft, Brasserie du Court team
Obvious question. Why did you choose to explore this subject matter? Have you had any personal experience of the issues around euthanasia? I was drawn to this subject matter because I think it is one of the greatest questions of our age, or any (…) Continue Reading »
7 February 2021

Interview with Suzannah Mirghani, director of Al-sit

by Abla Kandalaft, Brasserie du Court team
This is a very moving story. Is it based on personal experience or someone you know? The story of the arranged marriage depicted in my film Al-Sit is a common one in Sudan and the norm for many Sudanese families. While I did not personally (…) Continue Reading »
6 February 2021

Interview with Don Josephus Raphael Eblahan, director of Hilum (Remedy) - AWARD WINNER!

by Abla Kandalaft, Brasserie du Court team
Can you explain the choice of title? Hilum means two different things in our language. In the Tagalog language, “hilum/hilom” means “remedy”, while in the Visayan language it means “silence”. I grew up in Manila where we speak Tagalog, while my (…) Continue Reading »
6 February 2021

Interview with Joanna Quinn and Les Mills, director and writer of Affairs of the Art

by Abla Kandalaft
Beryl has featured in a number of your films. Can you tell us a bit more about her? Who was the inspiration for her character? How has Beryl’s character evolved since we first met her? Beryl started life as a very one-dimensional character in a (…) Continue Reading »
3 February 2021

Interview with Nyima Cartier, director of L’homme silencieux [A Quiet Man]

by Abla Kandalaft, Brasserie du Court team
What made you want to tell the story of Vincent Blanchot? Is the character based on a real person? A few years ago I read Melville’s short story Bartleby. It takes place on Wall Street in the 1850s and tells the story of Bartleby, an accountant (…) Continue Reading »
2 February 2021

Interview with Rayka Zehtabchi and Sam Davis, directors of Are You Still There?

by Elise Loiseau
You created three great female characters, and the daughter-mother bond is really well depicted. What can you tell us about the character development? Rayka: Spoiler alert here. The story is very personal. My father passed away during my first (…) Continue Reading »
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Don Josephus Raphael Eblahan : What it means to listen

In the space of four years, the Filipino director has made his mark with his intimate and luminous short films. Discovered in France in 2021 at the Clermont-Ferrand Short Film Festival, he has (…)
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Latest news

  • 14 August

    The Battle of Algiers: Anti-Imperialist Film Club

    Ileana Chan (Global Majority for Peace) and Asa Winstanley (Electronic Intifada) review their top picks and rate their anti-imperialist credentials... Second up is classic doc The Battle of Algiers.
  • 28 July

    Behind the CIA’s overthrow of Iran’s Mossadegh - Coup 53 screenings in August

    This month sees another London run of the 2019 film Coup 53, now more topical than ever: With Iran and the world once again on the brink, COUP 53 feels less like history and more like a warning. In 1953, a military coup led by British MI6 backed by the CIA overthrew Iran’s democratically (…)
  • 25 May

    Lebanon Cinema Days in the UK

    Lebanon Cinema Days is a programme run in various countries by The Beirut Film Society, whose mission it is to transform the Lebanese immigrant journey into a cinematic celebration — connecting Lebanon and the host countries through films shaped by adaptability, resilience, and identity. We (…)
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