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  • Clermont-Ferrand International Short Film Festival 2026

    Europe’s largest (and the world’s second largest) film festival back, nestled in the heart of France’s wild, volcanic region of the Massif Central. Its international competition, made up of 12 programmes of shorts, is one of the richest platforms for storytelling from around the world. The... continue
  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue
  • Sophia Carr-Gomm on Return

    Sophia Carr-Gomm is the director of short film Nobody’s Darling, which we reviewed when it screened at the London Short Film Festival. She has more recently directed Return. How has the reception and journey of Nobody’s Darling impacted your career going forward? Have they afforded you certain... continue

Most recent articles

10 mars 2019

ClermontFF2019 Entretien avec Vincent Lambe, réalisateur de Detainment (Garde à vue)

par Brasserie du Court team, Clotilde Couturier
Comment avez-vous appris l’existence des transcriptions des interrogatoires de l’affaire James Bulger ? J’avais douze ans au moment de l’affaire, et j’en ai entendu parler toute ma jeunesse. Je n’arrivais pas à comprendre comment ces deux garçons de dix ans avaient pu commettre un crime aussi horrible. Beaucoup de gens disent qu’ils étaient juste foncièrement « mauvais ». Mais je pense qu’il (…) Lire la suite »
1 March 2019

ClermontFF2019 Lobo Mauro, director of Mais Triste que Chuva num Recreio de Colégio

by Abla Kandalaft, Brasserie du Court team
Can you explain your choice of title? Is it a Brazilian saying? It’s not a Brazilian saying. There’s a sentence in a book called Os Cus de Judas (“The Land at the End of the World”), by António Lobo Antunes, a Portuguese writer, which says (…) Continue Reading »
17 February 2019

ClermontFF2019 Veljko Popovic, director of Biciklisti

by Abla Kandalaft
Interview with Veljko Popovic, director of the beautiful, hypnotic and playful Biciklisti. Can you tell us about cycling season? I’m assuming it’s a real event! The spirit of the local people in my hometown is entangled with sports. It can be (…) Continue Reading »
17 February 2019

ClermontFF2019 Thomas Elley, director of Bølger [Open Spaces]

by Abla Kandalaft
Interview with Thomas Elley, director of the cryptic and unsettling Bølger [Open Spaces] in the international competition. I assume Open Spaces [the English title] refers to the filming location. Can you tell us a bit more about this place and its community? Yes, it does. The fun thing is that the original title of the film is “Bølger” which is Danish for “waves”. And I hated that title in (…) Continue Reading »
13 February 2019

ClermontFF2019 Swatted by Ismaël Joffroy Chandoutis

by ARFIS, Brasserie du Court team, Clotilde Couturier
Interview with the French filmmaker Ismaël Joffroy Chandoutis about his short film Swatted selected as part of the 2019 Lab Competition (L1 programme). A video directed by the students of the ARFIS École, in collaboration with the Brasserie du Court and Mydylarama. Ismaël Joffroy Chandoutis is back at Clermont with a second award-winning short. Café court / Expresso Video - Ismaël Joffroy (…) Continue Reading »
10 February 2019

ClermontFF2019 Last Year When The Train Passed by Pang-Chuang Huang

by Abla Kandalaft, ARFIS, Brasserie du Court team
Interview with Taiwanese filmmaker Pang-Chuan Huang around his short film "Last Year When the Train Passed by" selected as part of the 2019 Lab Competition (L5 programme). A video directed by the students of the ARFIS École in collaboration with the Brasserie du Court and the Mydylarama team. Pang directed the Grand Prix-winning Retour in 2018. What were you doing last year when I took this (…) Continue Reading »
8 February 2019

ClermontFF2019 En Busca de un Tierno Silencio by Luis Cifuentes

by ARFIS, Brasserie du Court team, Catherine C.
Interview with the Chilian filmmaker Luis Cifuentes about his short film "En Busca de un Tierno Silencio" selected as part of the 2019 International Competition (I3 programme). A video directed by the students of the ARFIS École in collaboration (…) Continue Reading »
8 February 2019

ClermontFF2019 Destete by Ines Gowland

by ARFIS, Brasserie du Court team, Elise Loiseau
Argentin filmmaker Inés Gowland talks about her short film "Destete" selected as part of the 2019 International Competition (I4 programme). A video directed by the students of the ARFIS École in collaboration with La Brasserie du Court / Mydylarama. Teresa returns to Argentina determined to sell the family farm, but excessive rain forces her to stay, while allowing Ernesto, the presumptuous (…) Continue Reading »
6 February 2019

ClermontFF2019 Ombligo de Agua by Laura Baumeister De Montis

by ARFIS, Brasserie du Court team, Elise Loiseau
Brasserie/Mydy interview with the Nicaraguan filmmaker Laura Baumeister De Montis about her short film "Ombligo de Agua" selected as part of the 2019 International Competition (I2 programme). Alina rides horses. She is good at it, as she is at everything she does. Alina smokes crack. She feels more at home with the people who provide her with the drug than with her own family. Alina (…) Continue Reading »
6 February 2019

ClermontFF2019 Cadoul de Craciun / The Christmas Gift

by Abla Kandalaft
On the 20th of December, 1989, a few days after Ceausescu’s bloody repression in Timisoara, a father’s quiet evening turns to sheer ordeal as he finds out that his little son has mailed a wish letter to Santa. As the kid understood, his father’s desire was to see Ceausescu dead. What motivated you to set the film at that time? Did you have direct experience of the Ceausescu period in (…) Continue Reading »
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Don Josephus Raphael Eblahan : What it means to listen

In the space of four years, the Filipino director has made his mark with his intimate and luminous short films. Discovered in France in 2021 at the Clermont-Ferrand Short Film Festival, he has (…)
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Latest news

  • 19 February

    Gaza Eyewitnesses at SOAS

    London Palestine Film Festival presents ’Gaza Eyewitnesses’, a film by Palestinian artists based on testimonies from Gaza. This screening is followed by a Q&A with Hossam Al Madhoun, theatre maker, writer and child protection specialist, chaired by Jonathan Chadwick, Director of Az (…)
  • 23 January

    Online screening: The Hidden War on Palestinian Women: Checkpoint Diaries

    This Saturday 24 January, Palestine Museum US is screening the documentary "The Hidden War on Palestinian Women: Checkpoint Diaries, by Balasan Initiative for Human Rights." Screening will start at 12:00 Noon US EST; 18:00 Euro pe; 19:00 Palestine; 17:00 UK; 05:00 New Zealand; running time, 14 (…)
  • 21 January

    Thawra Archive curated programme for LSFF

    Thawra Archive has curated a programme for the London Short Film Festival : The Anti-Narrative of a Finished Decolonization: The Colonial Present in Cinema and Sound. This will take part over two days: on 24 January, at the ICA and on 2 February at ActOne, both in London. The programme will (…)
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