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  • Clermont-Ferrand International Short Film Festival 2026

    Europe’s largest (and the world’s second largest) film festival back, nestled in the heart of France’s wild, volcanic region of the Massif Central. Its international competition, made up of 12 programmes of shorts, is one of the richest platforms for storytelling from around the world. The... continue
  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue
  • Sophia Carr-Gomm on Return

    Sophia Carr-Gomm is the director of short film Nobody’s Darling, which we reviewed when it screened at the London Short Film Festival. She has more recently directed Return. How has the reception and journey of Nobody’s Darling impacted your career going forward? Have they afforded you certain... continue

Most recent articles

3 June 2017

Short of the Week: Q&A with Gunhild Enger & Jenni Toivoniemi, directors of Kommittén

by Abla Kandalaft
How did your collaboration on this film start? We were invited on to the CPH:LAB programme to collaborate and luckily shared the same sense of humour and found the possibility inspiring. For the uninitiated, could you explain a little bit more about this junction between the three countries and its significance? Treriksröset is in Lapland and it’s a ’borderstone’ between Norway, Sweden (…) Continue Reading »
9 mai 2017

Short of the Week : Q&A with Gunhild Enger & Jenni Toivoniemi, directors of Kommittén

par Abla Kandalaft
Comment a débuté votre collaboration ? Nous étions invités par l’équipe du programme CPH:LAB à collaborer et heureusement nous partageons le même sens de l’humour, nous avons donc tout de suite donc trouvé cette idée intéressante ! Pour ceux (…) Lire la suite »
2 May 2017

‘We are still here’: The Promise

by Lucineh Danielian
’We are still here’ are the final words uttered by Oscar Isaac in The Promise, which depicts the harrowing story of the Armenian genocide, the very first genocide of the twentieth century, yet a genocide still denied to this very day. Set in (…) Continue Reading »
11 April 2017

Get Out - "Timely representations of blackness"

by Coco Green
In short, loved it. In long, ‘Get Out’ is everything you’ve heard and more. Consistently, whether I’m in book club, the bar, in a secret black people meeting at work, people who’ve seen it want to see it again. And those who have seen it twice offer to go with me to see it for a third time. The only thing armchair critics are wrong about is that the film is scary. Not sure who billed it as a (…) Continue Reading »
3 April 2017

K Drama Special #4: Introverted Boss - Eps 6 & 7

by Nandini Uppluri
Introverted Boss is a South Korean television series also known as Sensitive Boss or Shy Boss. The show explores the stories of Eun Hwan Ki, a CEO of a prominent PR company with extreme social anxiety, and a young woman, Chae Ro Woon, whose sister committed suicide at the same company. After a very exciting and revelatory fifth episode exploring the backstories of the main characters, the (…) Continue Reading »
3 April 2017

K Drama Special #3: Introverted Boss - Ep 5

by Nandini Uppluri
After a long break from broadcast, Introverted Boss (also known as Sensitive Boss or Shy Boss) returned to TvN with its fifth episode. The reason for the delay in broadcast was partly the large number of complaints the show had received. The writers and producers of the drama allegedly stopped the broadcast to re-write parts of the script to make the story suit the audience’s suggestions. (…) Continue Reading »
23 March 2017

Short of the Week: Squirrel Island - Clermont-Ferrand 2017

by Abla Kandalaft
Astrid Goldsmith is an animator based in Kent. Her short, Squirrel Island, was rewarded at the Clermont-Ferrand Film Festival; the craftsmanship displayed and attention to detail were applauded by the festival’s audience and jury alike. We caught up with Astrid to find out more about her approach to animation and sources of inspiration. Le court du jour : “Squirrel island” de Astrid (…) Continue Reading »
10 March 2017

K Drama Special #2: Introverted Boss - Eps 3&4

by Nandini Uppluri
Another week, another K drama review courtesy of Nandini Uppluri. The show also goes by Sensitive Boss or Shy Boss. It’s broadcasting on TvN in South Korea and is a story involving a CEO of a PR company (Eun Hwan-Ki) who suffers from severe anxiety and a young woman (Chae Ro-Woon) who has entered the same company to investigate the circumstances around her sister’s suicide who was a former (…) Continue Reading »
7 March 2017

Clermont-Ferrand Interviews: Bryony Dunne, director of Gasper

by Abla Kandalaft
So, can you tell us more about Gasper and how the idea for the film came about? The film came about when I took a trip back to Ireland, where I grew up, to visit family and friends in the summer of 2015. While I was there I unexpectedly met Gasper, an old friend from Ireland, who was part of a group of friends that I grew up with. One evening, when I was driving Gasper home after a friend’s (…) Continue Reading »
3 March 2017

K Drama Special #1: Introverted Boss - Is it worth watching?

by Mydylarama team , Nandini Uppluri
This series is primarily aimed at the Kdrama enthusiasts amongst you. Radio aficionado and a self-proclaimed Kdrama addict, Nandini Uppluri, offers running commentary on the latest Korean dramas she’s currently watching (in India) in a series of vlogs, the first of which we’re posting this week. We are amidst a Korean WAVE! To those already in its depths, a ’Hallyu wave’. Korean culture is (…) Continue Reading »
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Don Josephus Raphael Eblahan : What it means to listen

In the space of four years, the Filipino director has made his mark with his intimate and luminous short films. Discovered in France in 2021 at the Clermont-Ferrand Short Film Festival, he has (…)
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Latest news

  • 19 February

    Gaza Eyewitnesses at SOAS

    London Palestine Film Festival presents ’Gaza Eyewitnesses’, a film by Palestinian artists based on testimonies from Gaza. This screening is followed by a Q&A with Hossam Al Madhoun, theatre maker, writer and child protection specialist, chaired by Jonathan Chadwick, Director of Az (…)
  • 23 January

    Online screening: The Hidden War on Palestinian Women: Checkpoint Diaries

    This Saturday 24 January, Palestine Museum US is screening the documentary "The Hidden War on Palestinian Women: Checkpoint Diaries, by Balasan Initiative for Human Rights." Screening will start at 12:00 Noon US EST; 18:00 Euro pe; 19:00 Palestine; 17:00 UK; 05:00 New Zealand; running time, 14 (…)
  • 21 January

    Thawra Archive curated programme for LSFF

    Thawra Archive has curated a programme for the London Short Film Festival : The Anti-Narrative of a Finished Decolonization: The Colonial Present in Cinema and Sound. This will take part over two days: on 24 January, at the ICA and on 2 February at ActOne, both in London. The programme will (…)
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