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  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue
  • Sophia Carr-Gomm on Return

    Sophia Carr-Gomm is the director of short film Nobody’s Darling, which we reviewed when it screened at the London Short Film Festival. She has more recently directed Return. How has the reception and journey of Nobody’s Darling impacted your career going forward? Have they afforded you certain... continue
  • Latin American highlights - Clermont-Ferrand FF 2025: Lanawaru

    A boy learns from his grandfather how rituals in the rainforest are important to maintain the balance between humans and nature. Absolutely mesmerising and compelling film driving home the importance and urgency of the essential work carried out by indigenous communities protecting the... continue

Most recent articles

7 February 2020

Q&A with Lars Vega, co-dir. Väntan På Döden / Awaiting Death - Canal+ AwardClermont 2020

by Elise Loiseau
A son arrives at the hospital to watch over his father’s death bed. When the son wants one last nice moment, his father would rather find out what to do with the two opened cans of mustard. Awaiting Death is a deceptively simple and sombre short. Through minor exchanges and limited dialogue, the directors manage to convey a nuanced and very human relationship with characteristic deadpan (…) Continue Reading »
7 February 2020

Q&A with Thomas Vernay, dir. Miss Chazelles - Clermont 2020

by Elise Loiseau
Clara and Marie are rival competitors for the title of Miss Chazelles-sur-Lyon. As Marie is declared winner of a local beauty pageant, tension escalates between both girls’s families and supporters. Miss Chazelles, Aesthetica 2019’s Best Drama award-winner, is a warm, irreverent and somewhat terrifying look at the word of regional pageants and the resulting drama. Despite the absurdity of (…) Continue Reading »
7 February 2020

Q&A with Gabrielle Stemmer, dir. Clean With Me (After Dark)

by Abla Kandalaft
Through a very clever and revealing video montage, Gabrielle Stemmer not only sheds light on somewhat depressing phenomenon of cleaning videos on YouTube but silently and subtly unearths the loneliness and neuroses that often underpin it, in a (…) Continue Reading »
7 February 2020

Q&A with Yves Gellie, dir. L’Année du robot - Clermont 2020

by Elise Loiseau
At the crossroads of art and science, this film centers on human beings and robots as their artificial counterparts. Like a series of archival documents detailing the first contacts and exchanges between human beings and a robot, the film studies cognitive dissonance, a minuscule, mysterious relational space lying between them both. A thoroughly exhaustive but at moments frankly alarming - (…) Continue Reading »
7 February 2020

Q&A with Mehdi Benallal, dir. Madame Baurès - Clermont 2020

by Abla Kandalaft
A stroll through the present-day municipalities of Vincennes and Saint Mandé, once home to Madame Baurès, a woman and Communist. The filmmaker’s voice-over recounts the memory of the story that Ray­monde had entrusted to him. (Cinéma du Réel) (…) Continue Reading »
6 February 2020

Q&A with Ioseb “Soso” Bliadze, dir. Tradition - Clermont 2020

by Elise Loiseau
Two German tourists travel around Georgia and encounter the country’s culture, traditions and some more conservative attitudes. A brave film in which the director’s passion for the subject and anger at the prejudices faced by many gay people in (…) Continue Reading »
5 February 2020

Q&A with Noël Fuzellier, dir. Mars Colony - ClermontFF 2020

by Abla Kandalaft
Logan is a sci-fi obsessed awkward teenager who often finds himself the butt of his friends’ jokes. One day, he’s visited by an older man who claims to be him, 39 years from now and asks him to join him on a mission to save humankind. A sci-fi enthusiast himself, Noël Fuzellier’s passion for space travel and Mars in particular shines through this optimistic, unpretentious yet ambitious (…) Continue Reading »
5 February 2020

Q&A with Ariane Labed, dir. Olla - ClermontFF 2020

by Elise Loiseau
Olla responded to an advertisement on an Eastern women dating site. She moves in with Pierre, who lives with his old mother. But nothing happens as planned. First time director but seasoned actress Labed brings us a visually distinctive look at sexuality and modern relationships. Trailer More on the film... Olla’s character is particularly interesting. Far from being a victim, she (…) Continue Reading »
4 February 2020

Q&A with Antoine Bargain, dir. Disciplinaires - ClermontFF 2020

by Clotilde Couturier
On the edge of the forest of Saint-Jean, near the village of Corte, nature has taken over the abandoned military base. Today, it is a place where families and sportsmen spend their time in relaxation, though in the 1970s it was the worst fear of the soldiers of the French Foreign Legion. More on the film... Where did you get the idea of making a film about this particular military prison (…) Continue Reading »
4 February 2020

Q&A with Valerie Barnhart, dir. The Girl in the Hallway - ClermontFF 2020

by Elise Loiseau
Why does "Little Red Riding Hood" give Jamie nightmares? It’s been fifteen years, and the girl in the hallway still haunts him. This is a testament to locked doors. A lullaby sung by wolves with duct tape and polaroids. Not all girls make it out of the forest. There are stories children shouldn’t hear. A remarkably effective, inventive and haunting animation about a real-life case of child (…) Continue Reading »
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Don Josephus Raphael Eblahan : ce que signifie écouter

En l’espace de quatre ans, le réalisateur philippin a imposé son style grâce à ses courts métrages intimes et lumineux. Révélé en France en 2021 par le Festival du court métrage de (…)
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Latest news

  • 23 January

    Online screening: The Hidden War on Palestinian Women: Checkpoint Diaries

    This Saturday 24 January, Palestine Museum US is screening the documentary "The Hidden War on Palestinian Women: Checkpoint Diaries, by Balasan Initiative for Human Rights." Screening will start at 12:00 Noon US EST; 18:00 Euro pe; 19:00 Palestine; 17:00 UK; 05:00 New Zealand; running time, 14 (…)
  • 21 January

    Thawra Archive curated programme for LSFF

    Thawra Archive has curated a programme for the London Short Film Festival : The Anti-Narrative of a Finished Decolonization: The Colonial Present in Cinema and Sound. This will take part over two days: on 24 January, at the ICA and on 2 February at ActOne, both in London. The programme will (…)
  • 4 December 2025

    Power Station screening in Falkirk

    Power Station has been garnering rave reviews and much traction on the indie distribution circuit. Next stop is Falkirk: Organised by Polmont Community Hub & Friends of the Earth Falkirk, the screening will be followed by a discussion around power transition - a fun, convivial screening (…)
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