Most recent articles
21 February 2020
Q&A with Shady Srour, dir. Oslo - Clermont 2020
by Abla KandalaftZiad, a Palestinian day labourer, is denied entry into Israel for work that day.
Not wanting to return home empty handed after promising his daughter meat for dinner, he needs to get creative.
Trump’s latest meddling in the region has effectively left many if not most Palestinians feeling hopeless. The title of this short is a nod to the Oslo Accords that ended up dispossessing them of more (…) Continue Reading »
18 February 2020
Q&A with Hamza Bangash, dir. Stray Dogs Come Out At Night - Clermont 2020
by Elise LoiseauKarachi, Pakistan. Iqbal, a migrant sex worker, cannot come to terms with his illness. He convinces his uncle to take a day trip to the beach, desperate for respite. The Arabian sea beckons.
An original film about an oft-ignored demographic. Hamza handles the subject matter with sensitivity and respect, painting a complex, human portrait of a character that is too often faceless.
Can you (…) Continue Reading »
14 February 2020
Q&A with Sofia Alaoui, dir. Qu’importe si les bêtes meurent [So What if the Goats Die] - Clermont 2020
by Abla KandalaftIn the heights of the Atlas mountains, Abdellah, a young shepherd, and his father are snowed in. As their animals start to starve, Abdellah goes in search of supplies in a village more than a day’s walk away. With his mule, he arrives in the village and discovers that it has been deserted because of a curious event that has left all the believers baffled.
The product of a truly incredible (…) Continue Reading »
13 February 2020
LONDON SHORT FILM FESTIVAL - London Lives 3
by Louis ChristieThrive (Jamie Di Spirito, 2019)
A sublimely intelligent and sensitive film, which sees a hook-up move into a challenging conversation. A naked man wakes up, lights up a cigarette and smokes out the window – through which the daylight outside illuminates the whole room. This is the only light source in the film, and it’s used brilliantly. Grindr buzzes. His date comes over, and they’re (…) Continue Reading »
12 February 2020
Q&A with Paul Howard Allen, dir. Mega Sexy Robot Dinosaur - Clermont 2020
by Abla KandalaftINTERVIEW VIDEO TO COME
A silly (in all the best ways) short very much made for fun that certainly made me laugh! Glad it made it into the Clermont competition.
How much do you enjoy artistic experiments?
Cinema audiences these days are incredibly smart and cinema literate so it’s really fun to be mischievous and play with people’s expectations. This is the beauty of short film, it (…) Continue Reading »
11 February 2020
Q&A with Ross McClean, dir. Hydebank - Clermont 2020
by Abla Kandalaft, Clotilde Couturier
Forced onto the Northern Irish countryside, Hydebank Wood Facility currently houses 104 young male offenders. Four years into his sentence, Ryan is still coming to terms with the cause of his imprisonment. The unlikely catharsis to his inner (…) Continue Reading »
11 February 2020
Q&A with Baloji, dir. Zombies - Clermont 2020 PRIX FESTIVALS CONNEXION AUVERGNE-RHÔNE-ALPES
by Clotilde Couturier
The film "Zombie" is a journey between hope and dystopia in a hallucinated Kinhsasa, from the culture of the hair salon to futuristic solitary clubbing, from the urban parade to the glory of a dictator in campaign (Papa Bollo) to modern western (…) Continue Reading »
10 February 2020
Q&A with Aurélie Reinhorn, dir. Raout Pacha - Double winner - Prix du rire « Fernand Raynaud » & Canal+ Award for the National Competition - Clermont 2020 Grand Prize
by Abla Kandalaft
Two lost souls are required to undertake community service in a small town in Normandy. As it happens, the clean and tidy beach resort doens’t actually need any of the work they’ve been assigned and they start making up a series of absurd tasks (…) Continue Reading »
9 February 2020
Q&A with Anthony Nti, dir. Da Yie - Clermont 2020 Grand Prize
by Abla KandalaftA foreigner in Ghana gets an assignment from his gang to recruit kids for a risky job that will take place later that evening. He finds Prince and Matilda, two lively kids and good friends, and plans to hand them over to the gang. After spending the day with them, he starts to question his decision and how it will affect their future.
Shot on a very low budget, Anthony Nti’s Da Yie (good (…) Continue Reading »
9 February 2020
Q&A with Farah Nabulsi, dir. The Present - Clermont 2020 Audience Award
by Abla Kandalaft
On his wedding anniversary, Yusef and his young daughter set out in the West Bank to buy his wife a gift. Between soldiers, segregated roads and checkpoints, how easy would it be to go shopping?
British-Palestinian Farah Nabulsi is relatively (…) Continue Reading »