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  • Arab picks from LFF 2025

    Aside from our recently reviewed Palestine 36, the BFI London Film Festival marked the festival run tailend for a number of films from the Arab world. Highlights include Erige Sehiri’s Promised Sky, a rare, necessary, and beautifully dramatised account of migrant women from the Ivory Coast living... continue
  • Palestine 36 - Harrowing and all too rare retelling of the...

    Palestinian cinema is distinctly prolific. The more efforts are made to erase Palestinians as a people and Palestine as a slice of West Asian land, the more urgent the storytelling becomes. 2025 has already seen a number of much hyped premieres and releases, but the novelty this year seems to be... continue
  • In Vermiglio, the cold bites but it also keeps you alive.

    1944. Wartime Italy. Icebound village. Maura Delpero’s Vermiglio (2025) is truly an exquisite winner of the Venice Film Festival’s Grand Jury. The slow-burn family saga unspools the glimpses of joy swallowed by the void of war. It has the essence of a memoir with the period film rooted in the... continue
  • Sophia Carr-Gomm on Return

    Sophia Carr-Gomm is the director of short film Nobody’s Darling, which we reviewed when it screened at the London Short Film Festival. She has more recently directed Return. How has the reception and journey of Nobody’s Darling impacted your career going forward? Have they afforded you certain... continue
  • Latin American highlights - Clermont-Ferrand FF 2025: Lanawaru

    A boy learns from his grandfather how rituals in the rainforest are important to maintain the balance between humans and nature. Absolutely mesmerising and compelling film driving home the importance and urgency of the essential work carried out by indigenous communities protecting the... continue

Most recent articles

21 February 2020

Q&A with Shady Srour, dir. Oslo - Clermont 2020

by Abla Kandalaft
Ziad, a Palestinian day labourer, is denied entry into Israel for work that day. Not wanting to return home empty handed after promising his daughter meat for dinner, he needs to get creative. Trump’s latest meddling in the region has effectively left many if not most Palestinians feeling hopeless. The title of this short is a nod to the Oslo Accords that ended up dispossessing them of more (…) Continue Reading »
18 February 2020

Q&A with Hamza Bangash, dir. Stray Dogs Come Out At Night - Clermont 2020

by Elise Loiseau
Karachi, Pakistan. Iqbal, a migrant sex worker, cannot come to terms with his illness. He convinces his uncle to take a day trip to the beach, desperate for respite. The Arabian sea beckons. An original film about an oft-ignored demographic. Hamza handles the subject matter with sensitivity and respect, painting a complex, human portrait of a character that is too often faceless. Can you (…) Continue Reading »
14 February 2020

Q&A with Sofia Alaoui, dir. Qu’importe si les bêtes meurent [So What if the Goats Die] - Clermont 2020

by Abla Kandalaft
In the heights of the Atlas mountains, Abdellah, a young shepherd, and his father are snowed in. As their animals start to starve, Abdellah goes in search of supplies in a village more than a day’s walk away. With his mule, he arrives in the village and discovers that it has been deserted because of a curious event that has left all the believers baffled. The product of a truly incredible (…) Continue Reading »
13 February 2020

LONDON SHORT FILM FESTIVAL - London Lives 3

by Louis Christie
Thrive (Jamie Di Spirito, 2019) A sublimely intelligent and sensitive film, which sees a hook-up move into a challenging conversation. A naked man wakes up, lights up a cigarette and smokes out the window – through which the daylight outside illuminates the whole room. This is the only light source in the film, and it’s used brilliantly. Grindr buzzes. His date comes over, and they’re (…) Continue Reading »
12 February 2020

Q&A with Paul Howard Allen, dir. Mega Sexy Robot Dinosaur - Clermont 2020

by Abla Kandalaft
INTERVIEW VIDEO TO COME A silly (in all the best ways) short very much made for fun that certainly made me laugh! Glad it made it into the Clermont competition. How much do you enjoy artistic experiments? Cinema audiences these days are incredibly smart and cinema literate so it’s really fun to be mischievous and play with people’s expectations. This is the beauty of short film, it (…) Continue Reading »
11 February 2020

Q&A with Ross McClean, dir. Hydebank - Clermont 2020

by Abla Kandalaft, Clotilde Couturier
Forced onto the Northern Irish countryside, Hydebank Wood Facility currently houses 104 young male offenders. Four years into his sentence, Ryan is still coming to terms with the cause of his imprisonment. The unlikely catharsis to his inner (…) Continue Reading »
11 February 2020

Q&A with Baloji, dir. Zombies - Clermont 2020 PRIX FESTIVALS CONNEXION AUVERGNE-RHÔNE-ALPES

by Clotilde Couturier
The film "Zombie" is a journey between hope and dystopia in a hallucinated Kinhsasa, from the culture of the hair salon to futuristic solitary clubbing, from the urban parade to the glory of a dictator in campaign (Papa Bollo) to modern western (…) Continue Reading »
10 February 2020

Q&A with Aurélie Reinhorn, dir. Raout Pacha - Double winner - Prix du rire « Fernand Raynaud » & Canal+ Award for the National Competition - Clermont 2020 Grand Prize

by Abla Kandalaft
Two lost souls are required to undertake community service in a small town in Normandy. As it happens, the clean and tidy beach resort doens’t actually need any of the work they’ve been assigned and they start making up a series of absurd tasks (…) Continue Reading »
9 February 2020

Q&A with Anthony Nti, dir. Da Yie - Clermont 2020 Grand Prize

by Abla Kandalaft
A foreigner in Ghana gets an assignment from his gang to recruit kids for a risky job that will take place later that evening. He finds Prince and Matilda, two lively kids and good friends, and plans to hand them over to the gang. After spending the day with them, he starts to question his decision and how it will affect their future. Shot on a very low budget, Anthony Nti’s Da Yie (good (…) Continue Reading »
9 February 2020

Q&A with Farah Nabulsi, dir. The Present - Clermont 2020 Audience Award

by Abla Kandalaft
On his wedding anniversary, Yusef and his young daughter set out in the West Bank to buy his wife a gift. Between soldiers, segregated roads and checkpoints, how easy would it be to go shopping? British-Palestinian Farah Nabulsi is relatively (…) Continue Reading »
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7 Activist documentaries available for free

The UCLA Film Archive just announced that 7 activist documentaries that are now freely available to access and stream for students, academics, and others. This update was shared through the (…)
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Don Josephus Raphael Eblahan : ce que signifie écouter

En l’espace de quatre ans, le réalisateur philippin a imposé son style grâce à ses courts métrages intimes et lumineux. Révélé en France en 2021 par le Festival du court métrage de (…)
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Latest news

  • 23 January

    Online screening: The Hidden War on Palestinian Women: Checkpoint Diaries

    This Saturday 24 January, Palestine Museum US is screening the documentary "The Hidden War on Palestinian Women: Checkpoint Diaries, by Balasan Initiative for Human Rights." Screening will start at 12:00 Noon US EST; 18:00 Euro pe; 19:00 Palestine; 17:00 UK; 05:00 New Zealand; running time, 14 (…)
  • 21 January

    Thawra Archive curated programme for LSFF

    Thawra Archive has curated a programme for the London Short Film Festival : The Anti-Narrative of a Finished Decolonization: The Colonial Present in Cinema and Sound. This will take part over two days: on 24 January, at the ICA and on 2 February at ActOne, both in London. The programme will (…)
  • 4 December 2025

    Power Station screening in Falkirk

    Power Station has been garnering rave reviews and much traction on the indie distribution circuit. Next stop is Falkirk: Organised by Polmont Community Hub & Friends of the Earth Falkirk, the screening will be followed by a discussion around power transition - a fun, convivial screening (…)
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